Bibliography
_
Books:
Allain, Yves-Marie, Chiu Che Bing, and Janine Christiany. Protection et mise en valeur du site du Yuanming Yuan / Yuanming Yuan Yizhi de Baohu he Liyong. Beijing: Zhongguo Linye Chubanshe and Hua Xia Atelier d'Architecture, 2002.
Bhabha, Homi K. The Location of Culture. London: Routledge, 2004 (first edition 1994)
Beevers, David. Chinese Whispers: Chinoiserie in Britain 1650-1930. London: Royal Pavilion and Museums, 2008.
Berliner, Nancy, ed. The Emperor's Private Paradise: Treasures from the Forbidden City. Exhibition catalog, Peabody Essex Museum and Metropolitan Museum of Art. New Haven: Yale University Press, 2010.
Brizay, Bernard. Le Sac du Palais d’Eté, Monaco: Editions du Rocher, 2003.
Chang, Elizabeth H. Britain’s Chinese Eye: Literature, Empire, and Aesthetics in Nineteenth-Century Britain. Palo Alto: Stanford University Press, 2010.
Chen, Jennifer, Julie Emerson, and Mimi Gardner Gates. Porcelain Stories: From China to Europe. Seattle: Seattle Art Museum in Association with University of Washington Press, 2000.
Chiu Che Bing. Yuanming Yuan: Le Jardin de la Clarté Parfaite. Art Books International, 2001.
Chen, Zhihua (陈志华), ed. The Influence of Chinese Garden Design in Europe. (中国造园艺术在欧洲的影响). Jinan Shi: Shandong Huabao Chubanshe, 2006
Conner, Patrick, The Hongs of Canton: Western Merchants in South China 1700-1900, as Seen in Chinese Export Paintings. London: Martyn Gregory, 2009.
Conner, Patrick. The Flamboyant Mr Chinnery: An English Artist in India and China (London: River Books, 2012)
Fan, Fa-ti. British Naturalists in Qing China. Cambridge: Harvard University Press, 2004.
Gaehtgens, Thomas, ed. Artistic Exchange/Künstlerischer Austausch: Akten des XXVIII. Internationalen Kongresses für Kunstgeschichte. Berlin: Akademie Verlag, 1993.
Hay, Jonathan. Sensuous Surfaces: The Decorative Object in Early Modern China. Honolulu: University of Hawaï Press, 2010.
Jiang, Yinghe. (江滢河) The View of Western Painting in Qian Longyu’s Poems (乾隆御制诗中的西画观). Beijing: Gugong Bowuguanyuan Yuankan (北京: 故宫博物院刊), 2001.
Jin, Xuezhi (金学智). Chinese Garden Art (中国园林美学). Beijijng: Zhongguo Jianzhu Chubanshe (北京:中国建筑出版社), 2005.
Heinrich, Larissa. The Afterlife of Images: Translating the Pathological Body between China and the West . Durham, NC: Duke University Press, 2008.
Kerlan-Stephens, Anne, ed. Autour des collections d'art en Chine au XVIIIe Siècle. Geneva: Librairie Droz, 2008.
Kwok, Yin-ning, and Thomas, Greg. Seeing China: Antique European Illustrated Books, 1667-1874. Hong Kong: Dept. of Fine Arts, University of Hong Kong, 2009.
Lawrence, Ellen, Thiriez, Régine, and Turner, Karen. The Delights of Harmony: the European Palaces of the Yuanmingyuan and the Jesuits at the 18th Century Court of Beijing. Exhibition catalogue, Worcester: Iris and B. Gerald Cantor Art Gallery, College of the Holy Cross, 1994.
Liu, Yu. Seeds of a Different Eden: Chinese Gardening Ideas and a new English Aesthetic Ideal. Columbia: University of South Carolina Press, 2008.
Lunsingh Scheurleer, Chinese Export Porcelain: Chine de Commande (London: Pitman Publishing, 1974 (first, Dutch edition, 1966)
Nie, Chongzheng (聂崇正). Lang Shining (郎世宁) Shijiazhuang Shi : Hebei jiao yu chu ban she ( 石家庄市: 河北教育出版社),2006.
Nie, Chongzheng (聂崇正). Qing Palace Painting and "Western Painting with Eastern Architecture” (清宮绘画与「西画东渐」. Beijing : Zijincheng Chubanshe, 2008.
North, Michael. Artistic and Cultural Exchanges between Europe and Asia, 1400-1900. London: Ashgate, 2010.
Pierson, Stacey. Collectors, Collections and Museums: The Field of Chinese Ceramics in Britain 1560-1960, London: Peter Lang, 2007.
Pirazzoli-t’Serstevens, Giuseppe Castiglione 1688-1766; Peintre à la cour de Chine. Paris: Thalia, 2007.
Rawski, Evelyn S. and Jessica Rawson, eds. China: The Three Emperors, 1662-1795. London: Royal Academy of Arts, 2005.
Reed, Marcia and Paola Demattè. China on Paper: European and Chinese Works from the Late Sixteenth to the Early Nineteenth Century. Los Angeles: Getty Research Institute, 2007.
Shi, Shou-chien (石守謙) and Feng Ming-chu (馮明珠), eds. Emperor Qianlong’s Grand Enterprise (乾隆皇帝的文化大業).Taipei: National Palace Museum, 2002.
Sullivan, Michel. The Meeting of Eastern and Western Art. San Francisco: University of California Press, 1998 (revised and expanded edition of book first published in 1972).
Xi Mengde (西蒙德). Scenic Garden Architectural Study (景园建筑学). Shanghai: Shanghai Arts and Science Press (上海:上海科学技术出版社, 2004.
Thiriez, Régine. Barbarian Lens: Western Photographers of the Qianlong Emperor's European Palaces. Amsterdam: Gordon and Breach Publishers, 1998.
Voss, Carsten. “Kunsthandwerk mit asiatischem Dekor in der niederländischen Malerei des 17. Jahrhunderts : Ein Beitrag zur Chinamode des Barock.“ Ph.D. thesis, Gottingen University, 2009.
Wang Qiheng, ed. Fenshui lilun yanjio (Research on Theories of Fenshui). Tianjin: Tianjin duxue chubanshe, 1992.
Wang Yaoting, ed. (王耀庭,主編) New World: Lang Shining and the Qing Emperor’s Western Wave (新視界 : 郎世寧與清宮西洋風). Taibei Shi : Guoli Gugong Bowuyuan (台北 市: 國立故宮博物院), 2007.
Wong, Young-tsu. A Paradise Lost: The Imperial Garden Yuanming Yuan. Honolulu: University of Hawaii Press, 2001.
Yuan Xuanping, Shi qi zhi shi ba shi ji Ou Zhou de Zhongguo feng she ji. Beijing, 2006.
Zhu, Guangli (朱广丽). “The Study of the Mixture of Sino-Western Painting.” (“中西绘画融合里念研究"). Ph.D. Dissertation, Shandong University (博士论文,山东大学,2009.
Articles and Book Chapters:
Chayet, Anne. "Architectural Wonderland: An Empire of Fictions." In The Making of Inner Asian Empire at Qing Chengde, edited by James A. Millward, 33-52. London and New York: Routledge Curzon, 2004.
Chang, Elizabeth H. "'Eyes of the Proper Almond Shape': Blue-and-white China in the British Imaginary 1823-1883." Nineteenth-Century Studies (2005): 17-34.
Chen Zhongke. (陈中科) The New Painting Style of “Use of the West by China”—The View from the Qing Dynasty Painter Lang Shining and His Painting “Ma Shu Tu” (“洋为中用”的新画风——从清代廷画家郎世宁及他的 “ 马术图 ”). Meishu Daguan ( 美术大观), August, 2006.
Chu, Petra ten-Doesschate. “Chinoiserie and Japonism.” Essay in Gabriel Weisberg, ed., The Orient Expressed: Japan’s Influence on Western Art, 1854-1918. Exhibition catalog, Mississippi Museum of Art, Jacksonville, MS. Seattle/London: University of Washington Press, 2011.
Codell, Julie F., ed., “Objects and the Press: Images of China in Nineteenth-Century Britain, “ in Imperial Co-Histories: National Identities and the British and Colonial Press. Madison, NJ: Farleigh Dickinson University Press, 2003.
Formes et figures du goût chinois dans les anciens Pays-Bas. Special issue of Etudes sur le XVIIIe siècle (Brussels; vol. 37, 2009).
Guan Jingming (关精明), “The Influence of Classical Chinese Garden Art on Western Garden Art” (“西方园林艺术对清代中国古典园林的影响”), Yishu Dangan (史档案), 3 (2006).
Hardie, Alison. "Think Globally, Build Locally: Syncretism and Symbolism in the Garden of Sitting in Reclusion," Studies in the History of Gardens and Designed Landscapes 26, 4 (October-December 2006), 295-308.
Kates, George Norbert. The Years that Were Fat: Peking, 1933-1940. New York: Harper, 1952.
Liang Lian (梁莲), “Da Vinci’s Shadow—A Comparison of Three Pieces of of Lang Shining’s ‘Peaceful Spring’ Images (“达·芬奇的影子”——三件郎世宁《平安春信图》的对比”). Zijin Cheng ( 紫禁城), July, 2008.
Liu, Yu. "The Importance of the Chinese Connection: The Origin of the English Garden", Eighteenth-Century Life, 27:3 (Fall 2003), 70-98.
Porter, David. “Beyond the Bounds of Truth: Cultural Translation and William Chambers’s Chinese Garden,” Mosaic 37: 2 (2004): 41-58.
Porter, David. “From Chinese to Goth: Walpole and the Gothic Repudiation of Chionoiserie,” Eighteenth-Century Life 23: 1(1999): 46-58.
Porter, David. “Monstrous Beauty: Eighteenth-Century Fashion and the Aesthetics of Chinese Taste,” Eighteenth-Century Studies 35:3 (2002): 395-411.
Prasch, Thomas. “John Thomson’s Photographs of East Asia,” in A Century of Travels in China: Critical Essays on Travel Writing from the 1840s to the 1940s. Hong Kong: Hong Kong University Press, 2007.
Scott,Katie. “Playing Games with Otherness: Watteau's Chinese Cabinet at the Château de la Muette,”Journal of the Warburg and Courtauld Institutes, vol. 66 (2003):189-248.
Serstevens, Michele Pirazzoli T. 毕 梅雪. "Lang Shining Yu Zhongguo Shiba Shiji Diwant Xiaoxianghua De Fuxing 郎世宁与中国十八世纪帝王肖像画的复兴." Gugong Bowuyuan Yuankan 故宫博物院院刊, 2004:3 (2004): 92-104.
Shih, Ching-fei (施靜菲) "Concentric Ivory Spheres and the Exchange of Craft Techniques: Canton, the Ch'ing Court and the Holy Roman Empire." Gugong xueshu jikan 故宮學術季刊, 25:2 (2007).
Sloboda, Stacey. "Porcelain Bodies: Gender, Acquisitiveness, and Taste in Eighteenth-Century England” in Material Cultures, 1740-1920: The Meanings and Pleasures of Collecting, Alla Myzelev and John Potvin, eds. (Burlington VT: Ashgate, 2009), 19-36.
Sloboda, Stacey, "Fashioning Bluestocking Conversation: Elizabeth Montagu’s Chinese Room,” in Architectural Space in Eighteenth-Century Europe: Constructing Identities and Interiors, Meredith S. Martin and Denise Amy Baxter, eds. (Burlington VT: Ashgate, 2010).
Thiriez, Régine “William Saunders, Photographer of Shanghai Customs.” Visual Resources, 26:3 (2010): 304-319.
Thomas, Greg M., “The Looting of Yuanming and the Translation of Chinese Art in Europe.” Nineteenth Century Art Worldwide. 7: 2, (Autumn 2008).
Thomas, Greg M., Yuanming Yuan/Versailles: Intercultural Interactions Between Chinese and European Palace Cultures. Art History, 32:1 (2009): 115-143.
Yang Boda (杨伯达), “The Influence of Eighteenth Century Sino-Western Cultural Exchange on Qing Dynasty Art” ( 十八世纪中西文化交流对清代美术的影响),Gugong Bowuguanyuan Yuankan (故宫博物院院刊), April 1998.
Books:
Allain, Yves-Marie, Chiu Che Bing, and Janine Christiany. Protection et mise en valeur du site du Yuanming Yuan / Yuanming Yuan Yizhi de Baohu he Liyong. Beijing: Zhongguo Linye Chubanshe and Hua Xia Atelier d'Architecture, 2002.
Bhabha, Homi K. The Location of Culture. London: Routledge, 2004 (first edition 1994)
Beevers, David. Chinese Whispers: Chinoiserie in Britain 1650-1930. London: Royal Pavilion and Museums, 2008.
Berliner, Nancy, ed. The Emperor's Private Paradise: Treasures from the Forbidden City. Exhibition catalog, Peabody Essex Museum and Metropolitan Museum of Art. New Haven: Yale University Press, 2010.
Brizay, Bernard. Le Sac du Palais d’Eté, Monaco: Editions du Rocher, 2003.
Chang, Elizabeth H. Britain’s Chinese Eye: Literature, Empire, and Aesthetics in Nineteenth-Century Britain. Palo Alto: Stanford University Press, 2010.
Chen, Jennifer, Julie Emerson, and Mimi Gardner Gates. Porcelain Stories: From China to Europe. Seattle: Seattle Art Museum in Association with University of Washington Press, 2000.
Chiu Che Bing. Yuanming Yuan: Le Jardin de la Clarté Parfaite. Art Books International, 2001.
Chen, Zhihua (陈志华), ed. The Influence of Chinese Garden Design in Europe. (中国造园艺术在欧洲的影响). Jinan Shi: Shandong Huabao Chubanshe, 2006
Conner, Patrick, The Hongs of Canton: Western Merchants in South China 1700-1900, as Seen in Chinese Export Paintings. London: Martyn Gregory, 2009.
Conner, Patrick. The Flamboyant Mr Chinnery: An English Artist in India and China (London: River Books, 2012)
Fan, Fa-ti. British Naturalists in Qing China. Cambridge: Harvard University Press, 2004.
Gaehtgens, Thomas, ed. Artistic Exchange/Künstlerischer Austausch: Akten des XXVIII. Internationalen Kongresses für Kunstgeschichte. Berlin: Akademie Verlag, 1993.
Hay, Jonathan. Sensuous Surfaces: The Decorative Object in Early Modern China. Honolulu: University of Hawaï Press, 2010.
Jiang, Yinghe. (江滢河) The View of Western Painting in Qian Longyu’s Poems (乾隆御制诗中的西画观). Beijing: Gugong Bowuguanyuan Yuankan (北京: 故宫博物院刊), 2001.
Jin, Xuezhi (金学智). Chinese Garden Art (中国园林美学). Beijijng: Zhongguo Jianzhu Chubanshe (北京:中国建筑出版社), 2005.
Heinrich, Larissa. The Afterlife of Images: Translating the Pathological Body between China and the West . Durham, NC: Duke University Press, 2008.
Kerlan-Stephens, Anne, ed. Autour des collections d'art en Chine au XVIIIe Siècle. Geneva: Librairie Droz, 2008.
Kwok, Yin-ning, and Thomas, Greg. Seeing China: Antique European Illustrated Books, 1667-1874. Hong Kong: Dept. of Fine Arts, University of Hong Kong, 2009.
Lawrence, Ellen, Thiriez, Régine, and Turner, Karen. The Delights of Harmony: the European Palaces of the Yuanmingyuan and the Jesuits at the 18th Century Court of Beijing. Exhibition catalogue, Worcester: Iris and B. Gerald Cantor Art Gallery, College of the Holy Cross, 1994.
Liu, Yu. Seeds of a Different Eden: Chinese Gardening Ideas and a new English Aesthetic Ideal. Columbia: University of South Carolina Press, 2008.
Lunsingh Scheurleer, Chinese Export Porcelain: Chine de Commande (London: Pitman Publishing, 1974 (first, Dutch edition, 1966)
Nie, Chongzheng (聂崇正). Lang Shining (郎世宁) Shijiazhuang Shi : Hebei jiao yu chu ban she ( 石家庄市: 河北教育出版社),2006.
Nie, Chongzheng (聂崇正). Qing Palace Painting and "Western Painting with Eastern Architecture” (清宮绘画与「西画东渐」. Beijing : Zijincheng Chubanshe, 2008.
North, Michael. Artistic and Cultural Exchanges between Europe and Asia, 1400-1900. London: Ashgate, 2010.
Pierson, Stacey. Collectors, Collections and Museums: The Field of Chinese Ceramics in Britain 1560-1960, London: Peter Lang, 2007.
Pirazzoli-t’Serstevens, Giuseppe Castiglione 1688-1766; Peintre à la cour de Chine. Paris: Thalia, 2007.
Rawski, Evelyn S. and Jessica Rawson, eds. China: The Three Emperors, 1662-1795. London: Royal Academy of Arts, 2005.
Reed, Marcia and Paola Demattè. China on Paper: European and Chinese Works from the Late Sixteenth to the Early Nineteenth Century. Los Angeles: Getty Research Institute, 2007.
Shi, Shou-chien (石守謙) and Feng Ming-chu (馮明珠), eds. Emperor Qianlong’s Grand Enterprise (乾隆皇帝的文化大業).Taipei: National Palace Museum, 2002.
Sullivan, Michel. The Meeting of Eastern and Western Art. San Francisco: University of California Press, 1998 (revised and expanded edition of book first published in 1972).
Xi Mengde (西蒙德). Scenic Garden Architectural Study (景园建筑学). Shanghai: Shanghai Arts and Science Press (上海:上海科学技术出版社, 2004.
Thiriez, Régine. Barbarian Lens: Western Photographers of the Qianlong Emperor's European Palaces. Amsterdam: Gordon and Breach Publishers, 1998.
Voss, Carsten. “Kunsthandwerk mit asiatischem Dekor in der niederländischen Malerei des 17. Jahrhunderts : Ein Beitrag zur Chinamode des Barock.“ Ph.D. thesis, Gottingen University, 2009.
Wang Qiheng, ed. Fenshui lilun yanjio (Research on Theories of Fenshui). Tianjin: Tianjin duxue chubanshe, 1992.
Wang Yaoting, ed. (王耀庭,主編) New World: Lang Shining and the Qing Emperor’s Western Wave (新視界 : 郎世寧與清宮西洋風). Taibei Shi : Guoli Gugong Bowuyuan (台北 市: 國立故宮博物院), 2007.
Wong, Young-tsu. A Paradise Lost: The Imperial Garden Yuanming Yuan. Honolulu: University of Hawaii Press, 2001.
Yuan Xuanping, Shi qi zhi shi ba shi ji Ou Zhou de Zhongguo feng she ji. Beijing, 2006.
Zhu, Guangli (朱广丽). “The Study of the Mixture of Sino-Western Painting.” (“中西绘画融合里念研究"). Ph.D. Dissertation, Shandong University (博士论文,山东大学,2009.
Articles and Book Chapters:
Chayet, Anne. "Architectural Wonderland: An Empire of Fictions." In The Making of Inner Asian Empire at Qing Chengde, edited by James A. Millward, 33-52. London and New York: Routledge Curzon, 2004.
Chang, Elizabeth H. "'Eyes of the Proper Almond Shape': Blue-and-white China in the British Imaginary 1823-1883." Nineteenth-Century Studies (2005): 17-34.
Chen Zhongke. (陈中科) The New Painting Style of “Use of the West by China”—The View from the Qing Dynasty Painter Lang Shining and His Painting “Ma Shu Tu” (“洋为中用”的新画风——从清代廷画家郎世宁及他的 “ 马术图 ”). Meishu Daguan ( 美术大观), August, 2006.
Chu, Petra ten-Doesschate. “Chinoiserie and Japonism.” Essay in Gabriel Weisberg, ed., The Orient Expressed: Japan’s Influence on Western Art, 1854-1918. Exhibition catalog, Mississippi Museum of Art, Jacksonville, MS. Seattle/London: University of Washington Press, 2011.
Codell, Julie F., ed., “Objects and the Press: Images of China in Nineteenth-Century Britain, “ in Imperial Co-Histories: National Identities and the British and Colonial Press. Madison, NJ: Farleigh Dickinson University Press, 2003.
Formes et figures du goût chinois dans les anciens Pays-Bas. Special issue of Etudes sur le XVIIIe siècle (Brussels; vol. 37, 2009).
Guan Jingming (关精明), “The Influence of Classical Chinese Garden Art on Western Garden Art” (“西方园林艺术对清代中国古典园林的影响”), Yishu Dangan (史档案), 3 (2006).
Hardie, Alison. "Think Globally, Build Locally: Syncretism and Symbolism in the Garden of Sitting in Reclusion," Studies in the History of Gardens and Designed Landscapes 26, 4 (October-December 2006), 295-308.
Kates, George Norbert. The Years that Were Fat: Peking, 1933-1940. New York: Harper, 1952.
Liang Lian (梁莲), “Da Vinci’s Shadow—A Comparison of Three Pieces of of Lang Shining’s ‘Peaceful Spring’ Images (“达·芬奇的影子”——三件郎世宁《平安春信图》的对比”). Zijin Cheng ( 紫禁城), July, 2008.
Liu, Yu. "The Importance of the Chinese Connection: The Origin of the English Garden", Eighteenth-Century Life, 27:3 (Fall 2003), 70-98.
Porter, David. “Beyond the Bounds of Truth: Cultural Translation and William Chambers’s Chinese Garden,” Mosaic 37: 2 (2004): 41-58.
Porter, David. “From Chinese to Goth: Walpole and the Gothic Repudiation of Chionoiserie,” Eighteenth-Century Life 23: 1(1999): 46-58.
Porter, David. “Monstrous Beauty: Eighteenth-Century Fashion and the Aesthetics of Chinese Taste,” Eighteenth-Century Studies 35:3 (2002): 395-411.
Prasch, Thomas. “John Thomson’s Photographs of East Asia,” in A Century of Travels in China: Critical Essays on Travel Writing from the 1840s to the 1940s. Hong Kong: Hong Kong University Press, 2007.
Scott,Katie. “Playing Games with Otherness: Watteau's Chinese Cabinet at the Château de la Muette,”Journal of the Warburg and Courtauld Institutes, vol. 66 (2003):189-248.
Serstevens, Michele Pirazzoli T. 毕 梅雪. "Lang Shining Yu Zhongguo Shiba Shiji Diwant Xiaoxianghua De Fuxing 郎世宁与中国十八世纪帝王肖像画的复兴." Gugong Bowuyuan Yuankan 故宫博物院院刊, 2004:3 (2004): 92-104.
Shih, Ching-fei (施靜菲) "Concentric Ivory Spheres and the Exchange of Craft Techniques: Canton, the Ch'ing Court and the Holy Roman Empire." Gugong xueshu jikan 故宮學術季刊, 25:2 (2007).
Sloboda, Stacey. "Porcelain Bodies: Gender, Acquisitiveness, and Taste in Eighteenth-Century England” in Material Cultures, 1740-1920: The Meanings and Pleasures of Collecting, Alla Myzelev and John Potvin, eds. (Burlington VT: Ashgate, 2009), 19-36.
Sloboda, Stacey, "Fashioning Bluestocking Conversation: Elizabeth Montagu’s Chinese Room,” in Architectural Space in Eighteenth-Century Europe: Constructing Identities and Interiors, Meredith S. Martin and Denise Amy Baxter, eds. (Burlington VT: Ashgate, 2010).
Thiriez, Régine “William Saunders, Photographer of Shanghai Customs.” Visual Resources, 26:3 (2010): 304-319.
Thomas, Greg M., “The Looting of Yuanming and the Translation of Chinese Art in Europe.” Nineteenth Century Art Worldwide. 7: 2, (Autumn 2008).
Thomas, Greg M., Yuanming Yuan/Versailles: Intercultural Interactions Between Chinese and European Palace Cultures. Art History, 32:1 (2009): 115-143.
Yang Boda (杨伯达), “The Influence of Eighteenth Century Sino-Western Cultural Exchange on Qing Dynasty Art” ( 十八世纪中西文化交流对清代美术的影响),Gugong Bowuguanyuan Yuankan (故宫博物院院刊), April 1998.